Ruth Underwood

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Book Review

(Published in Traveller, June 2006)

Jan Morris wrote Last Letters from Hav in 1985. With this, her first novel, she created an imaginary land, which was both magical and bewildering, her response to a world she was increasingly finding “ominously opaque”. Twenty years on, she has augmented the vision with Hav of the Myrmidons, a travelogue that traces her return to the country over six days. Together, the two form Hav: a novel that explores the potential of fantasy travel, at the same time provoking thought upon what it is to live in the 21st century.

Part one has a distinctly Utopian feel to it, as Morris discovers Hav, with its multi-cultural mesh of history and its disjointed but striking identity. She supports her descriptions with invented literary quotation, and teases by placing the imagined country in real contexts. Morris created a place so authentic and so appealing that when the book was first published, she received countless enquiries as to Hav’s exact location.

There is nothing appealing, however, about the dystopian Hav of part two. The country has been completely reconstructed following the mysterious “intervention” of a modern version of Achilles’ faceless henchmen, with which her 1985 visit ended. But with the reconstruction has come modernisation and bland uniformity, as the unique culture of Hav is lost to a past that is being systematically erased from the public memory.

Hav, the place, is representative of everywhere, and yet is nowhere. While this can cause disorientation, Hav has a portentous aspect that makes it relevant reading for us all.